It’s no coincidence that one of the most sought-after features when we buy a new cell phone, is a good camera and enough memory to store the images we capture and carry with us.
The emotional value of images is beyond doubt. The human brain is a laboratory in the permanent boiling of images. If we think, feel and communicate with images, it is straightforward to understand that our communication strategies in different scenarios are more effective.
The brain filters stimuli through instinctive operations of inclusion and exclusion. Emotions can hinder or facilitate communication.
Therefore, the sensitization and the approach to a given problem. Only if the stimulus is internalized will it become part of the emotional experience. And thus, the culture of photography can become a sensory and narrative pleasure, to the extent that we are aware that these emotions can help us to a more organic relationship with ourselves and others.
The stimulus that photographs generate, the reaction in the body, and the ideas accompanying that reaction constitute feeling. So to feel is to perceive all of this. So it starts on the outside; it modifies us because the brain determines it, alters the organism, and then perceives it.
These reasons give an image the emotional charge that appeals directly to emotion and facilitates expression. Its symbolic potential opens and excites a diverse interpretation. Denotatively, the picture shows, and we “read” what it offers. It is an objective, enumerative look, the result of description. In the connotative, it is a subjective gaze, the product of interpretation and evaluation, of the context and experience of the viewer.
But whatever the brain chemistry that gives us an image, the scientific explanation for it, or the psychology that explains why we like to take and revisit photographs of special moments and people, the reality is that we don’t care about all that. Instead, we want to take those images in our hands and look at them again and again because they transport us back to that moment; we remember the smells, the colors, the laughter of our loved ones, even the sensation that their touch leaves on our skin.
If you are looking for a way to make those images even more perfect, hire a family photographer in Dallas, TX. Of course, the professional’s skill in handling light and applying the necessary tools to improve brightness, angle, and focus is essential. Still, so is their ability to deal with unforeseen events that may arise.
A family photographer in Dallas, TX will offer us all his experience and knowledge to capture and work the photos with the style we want. But, on the other hand, a professional will always work with the lens of the camera and with the mind, focused on our desires, will take care of all the details involved in their work so that we only have to worry about enjoying the moment.
The family photographer in Dallas, TX brings an artistic vision to the process of capturing an event for posterity. A true professional focuses not only on the subject but must also master the science and art of choosing and manipulating background, lighting, depth of field, and composition, as well as many other variables that a non-professional “misses.” It is artistic vision and the ability to see what others don’t see that makes a professional photographer’s work something you can’t do with your cell phone.
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